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“THE BLACK SWALLOW“ is a graphic feature film. An animated story born primarily from my drawing strokes.

“THE BLACK SWALLOW  is a fiction largely inspired by true events.

“THE BLACK SWALLOW  is the story of a man who’s colour of skin would be inconsequential to who he is. A free man. A man standing tall.

“THE BLACK SWALLOW is the motto EUGENE BULLARD had painted on the fuselage of his airplane …

“THE BLACK SWALLOW * is based on the life of EUGENE BULLARD, the first Black fighter pilot in history. Born in America at the turn of the century, this descendant of slaves was in turn a clandestine traveller, a boxing champion in Paris in his teens, a war hero in the Verdun Battle during WWI, a jazz musician and Parisian mascot during the Roaring 20’s, an astute businessman and friend of the greats of this world in the 30’s, a spy at the service of France during the 40’s and civil rights activist back in his home country in the 50’s ... With passion, intensity, a good amount of clairvoyance and unfailing panache, BULLARD crossed the twentieth century as an anonymous hero. Living its dramas, its injustices and triumphs to the full yet ending his life as an elevator operator in no other than the Rockefeller building, NYC …

 

* “THE BLACK SWALLOW  is the name given to EUGENE BULLARD by the French press …

Our film is a fiction largely inspired by true events.

New York, December 1st, 1959. Eugene Bullard, an old, anonymous, African-American elevator operator, whose worn-out smile haunts the 70 floors of the Rockefeller Center, meets Louise Connell, a young, ambitious, white journalist who works for NBC television. They have nothing in common and in 1950’s America, their parallel worlds are not meant to converge. Yet this chance encounter is about to dramatically upset the course of their lives.

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Louise is about to embark on the biggest investigative journey of her career, revealing the true life story of this unassuming elevator operator: the grandson of a slave in the Deep South, he crossed the Atlantic to become a boxing champion, a veteran of two world wars, a celebrity in jazz-age Paris and a character in a Hemingway novel. And above all, flying a French plane emblazoned with the motto “All Blood Runs Red”, Eugene Bullard became the first ever black fighter pilot in the world… before systemic racism erased his name from history.

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But the minute Louise starts investigating his life, Eugene Bullard mysteriously disappears… What she doesn’t suspect is that, cancer-ridden and with only a month left to live, he has set off to return to where it all started, the Deep South of his childhood. There, he hopes to face his demons before he dies. And find redemption for unknown sins.

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Meanwhile, as Louise delves further into his past, she discovers that his existence is intertwined with some of 20th century’s most iconic figures: Josephine Baker, Louis Armstrong, Ernest Hemingway, Blaise Cendrars and others, famous and infamous, all step in to tell Eugene’s story. Together, they weave a vivid epic, full of humor, music, love, scandal, death-defying gambles and lifelong friendships. And each of these storytellers attempts to answer one essential question: what was the secret to his rags-to-riches success?

How did the poor, desperate grandson of a slave from Georgia transform into the rich, handsome darling of Paris, with glittering war medals on his chest and a French princess in his arms? A 7-pointed dice, the assistance of a voodoo god, and near-superhuman courage: each answer adds to the legend.

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But the stories Louise unearths gradually question her own understanding of the world and her place in it. How and why, at the height of his fame, did Eugene “Lucky Seven” Bullard suddenly lose it all? As Louise peels away layers of the story, she exposes a hidden wound. An unspeakable truth, written in blood.

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Clues to this haunting secret lead the young white journalist to journey deep into the American South. There she finds a cancer-ridden Eugene Bullard, and the missing piece of his broken soul: the unremarkable lynching of a black man, who died as he lived, without anyone paying attention.

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His brother, Toussaint...

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Whose death taught Eugene that a man’s worth is measured not by the dazzling episodes of a storied legend, but by how much dignity and kindness there is left when every day is a fight for a seat at the table. In the eyes of his family as well as his own, his brother was the real hero; Eugene merely chased vainglory in a faraway land.

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Louise realizes that she is the key to Eugene’s deliverance. She puts her own career on the line to bring his life story to the American public. And when the old elevator operator finally appears on NBC’s Today Show on the 22nd December 1959, his easy smile and sky-high tales win over the audience.

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With these few minutes of fame, brought about by Louise’s tenacity, Eugene Bullard inspires a nation.

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And he can finally live up to the brother who died fighting simply for the right to live.

A question of style

 

 

“THE BLACK SWALLOW“  is a graphic feature film. An animated  story born primarily from my drawing strokes.

To rise to the epic quality of this story I have chosen a strong, expressionist, high in contrast, graphic style so as convey to the full its richness and the tensions that underlie in the narrative. Each character has its own graphic line that evolves during the story.

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A style that reflects my personal influences - ROBERT CRUMB, WILL EISNER, CHARLES BURNS, OTTO DIX, GEORGE GROSZ, GUSTAVE DORÉ. A drawing style that at first glance may not be the prettiest yet conveys a sense of intrinsic beauty and strength, almost expressionistic work that mirrors the times through which EUGENE BULLARD lived and reflects the strength and intensity of the narrative.

A bold choice that is the logical continuation to my personal work as a painter and filmmaker.

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The dramatization of the images stems from different converging intentions:

 

 

-The first intention is to use the cinematographic grammar of the film de genre, in this case the film noir; that of melodramas and epic adventure films... This principle immediately gives the viewers the keys to a scene and eases the immersion into a different more unexpected story, full of poetry…

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-The second intention is to highlight the hand-drawn aspect of each shot. The animation is deliberately expressive and elegant. An animation that appeals to the feelings of the viewers, directly to their hearts… This aesthetic choice allows to highlight each character, showing his intentions by revealing the set in which he/she operates.

 

This film is primarily an expression of my influences and my tastes while making a personal tribute to EUGENE BULLARD and his extraordinary life...

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Script writer

Director

Script writer

Graphic design

“THE BLACK SWALLOW“ , is in the official selection CARTOON MOVIE 2020 film festival
 
“THE BLACK SWALLOW“ , is part of LA SELECTION, Talents 2017, granted by LA FONDATION GAN and the Groupe OUEST 
 
“THE BLACK SWALLOW“ , is awarded  writing grant by the CNC (Centre national du cinéma)

Billie’s Blues is the kickstarter of the  “THE BLACK SWALLOW“  project, a film designed and directed by Louis J. Gore…

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